Wednesday, January 2, 2013

2012 International Taiko Festival

We had yet another spectacular weekend for our 44th Annual International Taiko Festival this year.  Held at the Yerba Buena Center for the Arts Lam Research Theater, this year’s concert hosted by SF Taiko Dojo, brought together taiko groups and ensembles from around the Bay Area and Japan.  We were pleased to welcome back and showcase our good friends and esteemed guest artists from Japan, Wako Daiko.


photo by Lori Ikeda-Lowe
We were once again blessed with the artistic and powerful ensemble that is Tiffany Tamarabuchi and the Sacramento Taiko Dan, who were accompanied by the up and coming calligrapher Aoi Yamaguchi, who created a calligraphic masterpiece live onstage to the sounds of Sacramento Taiko Dan drumming. 




photos by Lori Ikeda-Lowe
We were all so moved to find out later that the characters that she wrote out were 鼓舞 【こぶ】 "kobu" which means inspiration; encouragement. The word is made from the kanji characters for drum and dance. 

Friday night’s performance also featured the dance and taiko infused group, Girl Brigade, who put on a bone-chilling performance with a strong social justice message, using the medium of their dance, voice and taiko.



 
photos by Lori Ikeda-Lowe
What also really made this year’s concert stand out from others was the matinee concert on Saturday, that was produced by Bruce “Mui” Ghent, a former SF Taiko Dojo performing member and current leader of Maikaze Daiko.  Mui brought together groups from all reaches, from our good friends and supporters, Grass Valley Taiko, to youthful energetic collegiate groups like Bakuhatsu Taiko Dan from UC Davis and CAL Raijin Taiko from UC Berkeley.  We were so fortunate to also have a variety of taiko and Japanese folk dancing from the Ensohza group, who performed a more traditional version of Soran Bushi and the beautiful dance piece Sansa Odori.  Mui’s group, Maikaze Daiko, gave a thrilling performance with a bit of Gojinjo style drumming thrown in there to spice things up.



photos by Lori Ikeda-Lowe
As for SF Taiko Dojo’s performances, the highlights were :
1)    The newly choreographed Soran Bushi, with over 20 SF Taiko Dojo members taking over the stage with UC Davis Bakuhatsu Taiko Dan for Saturday night’s performance.


photo by Lori Ikeda-Lowe
2)    A full-blown Sokobayashi classic performance with SFTD’s Performing Group (including a timpani drum solo)


photos by Lori Ikeda-Lowe

3)    The Junior Rising Stars (aka Sarita-san’s kids) performing Matsuri Daiko, and the Rising Stars performing Many Sides, as well as a newly choreographed piece, which for now is just called “the new piece”.
photo by Lori Ikeda-Lowe
4)    The always anticipated and powerful Tsunami, which began with a chanting and prayer by Eiji Tsuchiya for the victims of last year’s devastating Tsunami in the Tohoku region.


photos by Lori Ikeda-Lowe
An unusual event that I feel needs mentioning as we look back on this concert was the unfortunate event of having the leader of Wako Daiko having to return to Japan immediately after touching down in SFO, upon hearing news of his father’s sudden passing.  We were all devastated to hear the sad news and knew that the right thing for the leader to do was to turn around and be with his family.  While it was a difficult decision to leave behind his group, he knew that he could rely on them to still make a great performance, especially under Tanaka-sensei’s guidance.  With side stage curtain support from all of us, and also supported backbeat on stage by Tanaka-sensei, they four performers were able to pull off such an amazing and physically demanding performance with all of their spirit and energy they had.  They knew that they were doing it for their leader, his father and for their own memory.  They left it all on stage.


photos by Lori Ikeda-Lowe
This year’s ITF was not unusually exhausting, as they all generally are.  From the perspective of someone who has been with SFTD for 13 years, I feel like every year we are pulling off the greatest impossible feat and doing it all together as a family.  Even when there are unknowns and very little time to do run-throughs and technical rehearsals and stage spiking, and knowing that there are always going to be last-minute changes, unexpected events, we always manage to somehow get through and still get out there on stage and put everything we’ve been working on all year out there for the audience to enjoy.  We don’t show that we’ve been in the theater since 8am on our feet, running around making sure our guests are taken care of, that the equipment is all set up and ready, that the stage is set for all of our guest performers.  Its just part of being part of SFTD and being backstage.  It is an honor and privilege to be so thoroughly spent by the end of the weekend, to be even a sliver of this long tradition and legacy that Tanaka Sensei and the pioneer members have created for us. We all know it and feel it and that’s why we come back year after year. 

For many of us, emerging from that theater life and the dojo life you live all weekend is a difficult transition, as many of us head back into our regular work weeks.  To try and describe what you’ve just experienced over that weekend to anyone who asks “How’d the concert go?” is just one of those things you can never muster up the energy or words to quite describe it.  You just know that you’ve been a part of something spectacular, have made strong connections with friends and that you will eventually recover, rest up and gear up for next year’s.
 



photos by Lori Ikeda-Lowe

Written by:

Hideko Akashi

1 comment:

  1. This is a great posting! Thank you for the insight. As a long time taiko drummer I too can feel the truth of what you are saying. It will be great to be with Tanaka Sensei and his dojo again in the future.

    Ben

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